Author: admin

• Type of project: Architecture, Memorial/Museum, Extension and New Insertion
• Year: 2019
• Software used: Autocad, Revit, 3ds Max, Photoshop

In the upper side of the First Floor Plan is the chapel which has places to stay on its perimeter and a place for commemoration in the middle. It has only an access that is in the ax with the underground exit from the prison memorial.

The ground floor of the prison is preserved exactly as it where, but the memorial is built on the side edges of the site. Near the entrance are the stairs that lead to the underground foyer of the memorial. The administration buildings on the sides of the entrance were turned into information and temporary exhibition places. The memorial has another access on the ground floor level on the right side. This leads to the Initiation track II and after that, the following rooms can be visited: 2 Debut (from above), 3 Interrogatory (from above), 4 The Cell (from above), 5 Dialogue (from above), 6 Isolation (from above).

• Type of project: Architecture, Museum
• Year: 2019
• Software used: Autocad, Archicad, Revit, Photoshop

• Type of project: Architecture, House, Research Center, Pier and Deck
• Year: 2019
• Software used: Autocad, Revit, Photoshop
• Link to model: http://georgedimaarchitect.adima.one/marine-life-research-point-vama-veche-romania-2/

I found this building to be very useful because of its relation with the seaside, its materiality and interior solving. The house is made of exposed concrete and it is filled with openings on all the facades, including one big opening on the roof which forms an interior patio. The technical spaces and the staircases are compressed into the interstitial space of the outside and the interior layers of the house.

The next buildings which caught my attention are the proposals for the St. Petersburg Pier Competion. I really liked the connection between the seaside and the land that was created in these images.

The next one is very important for the structure of a certain element in the project called The Wave. This Bridge has a structural pile made of concrete which is very similar to what I wanted to use in my project.

This Example of BIG Architects called The Mountain Dwelling is good for the project because it has an oblique elevator. A similar idea will be used in the project to climb from the underwater Research Center to the lounge zone with the view to the sea.

The last example is about the structure of the building which is made from lamellar wood oblique piles that stand in the water. A similar structure will be used in the project to sustain The Deck.

In the images below, I analysed a couple of research points/laboratories to see how they are organized and what is important. In La Jolla example some characteristics were identified: the accessibility of the site, the living facilities of the researchers and the accessibility to the oceanic conditions, deep water, plankton, etc.

Therefore, the project tries to take care of all these features, especially for the accessibility to the seaside, the site and the living facilities.

From the other plans of the buildings I learned how a research point can be organized: there are usually a lot of laboratories, some lockers or mudroom before you enter them, some common area, some teaching zones and a lot of equipment and place for it.

In the analysis below – which also stands as the concept of the project – I found out that Vama Veche is the single one resort of the Romanian seaside which does not have a direct connection with the sea, it does not have a pier. The concept of  the project rely on this aspect and it wants to create this connection between the land which is the place of the researcher, the human, and the sea which is the place of the things that are meant to be studied.

These are the plans of The Cube: At the second basement level there are some technical spaces and some necessarily spaces before the researchers enter the research zone. At the first basement level is a conference and meeting zone. At the ground floor is a lounge space and a bar, design to relax the researchers and the people they recive as visitors. At the first floor are their bedrooms, organized around the light courtyard and having the technical spaces on the exterior all the time.

The Cube form is not perceived as a whole from the outside because it has two levels on the surface and two levels underground. Consequently, the light courtyards were designed to bring light in all of the spaces including in the first basement level that contains the conference room and the second basement level which is more like a technical and control space that makes the connection with The Research Center.

• Type of project: Architecture, Memorial/Museum, Extension and New Insertion
• Year: 2018
• Software used: Autocad, Photoshop, Blender
• Link to model: http://georgedimaarchitect.adima.one/project-1/

THE NEED: ABOUT MEMORY
After the two conclusions regarding the evolution of the city and the history of the former prison, a pretext is beginning to take shape: the need to fight back against the repressions from the past of the communist regime. The purpose is to commemorate the pain of the victims and to find a way to never let that happen again in the future.

Regarding the city, I found as a solution the refinement of the concept of education seen as a perfect tool to combat the ideology of the communists who want to manipulate and eradicate the individualism of the people. The EDUCATION tries to elevate the humankind and to create some strong principles so that the people could be more aware of the dangers and more responsive to potential injustice from the state.

The solution for the former prison is based on the idea of MEMORY which tries to understand and reveal the anguish of the direct victims of the regime, but also the misery of their family members or their friends who also were suffering because of the inmate’s “mistakes”.

The project aims to recover those three values of the context that were discovered in the city analysis: the terrain (near the prison), the theater and the center. The building that I propose is a CENTER OF NON-FORMAL EDUCATION which will try to educate, to gather and develop the local community. This center will also need – as seen in the multicriterial analysis – a new space for cinema/theatre.

For the former prison, the project propose a MEMORIAL as a place of finding and discover information, but also as a pretext to contribute to memories still not found, hidden by fear, pain or timidity. For the people who feel like this, the new space will try to soften these sensations and to create a proper space to unburden.

The project involves two adjacent sites: one belonging to the former prison and the other is the site that once belonged to Luca brothers who were persecuted by the communists.
The architectural attitude for these two sites is one that creates contrast between them: the site of the prison is mostly responsible for the memorial part of the project thus it is more somber and the adjacent site will be transformed in an abstract birch forest that as a gesture of reconciliation with the past.

In the First Floor plan are visible the abstract forest made from birch trees and pine trees – in the middle -, the grove – which will be a space used to meditate – and the roof of the educational center.

In the lower part is the first floor of the prison. The intervention for the old building will be based on non-intervention. This tool will be used in order to preserve the features of the spaces that once produced traumas. In this way, the building of the prison itself will work as a trigger for memory for the people visiting. The only rooms that will get a special attention and a possible setup will be the three rooms mentioned in the plan:
1 – The cell where the social democrat leader Ion Mihalache died.
2 – The cell of punishment.
3 – The cell with traces of sculpture on the door frame.

In the Section A-A is visible that the educational center has two levels, but the ground floor is partly in the underground. In this way, the prison can be observed from far distance while the center has space for all necessary functions.

In the Ground Floor Plan is visible the first floor of the educational center which gathers non-formal learning spaces. Open plan and flexible furniture gives the opportunity to the inhabitants of the building to rearrange and to create their own places.

The ground floor of the prison is preserved exactly as it where. The concept of the memorial intervention is to construct in the underground, underneath the non-built spaces of the prison: the courtyards. Therefore, in the ground floor, at the courtyards level can be seen only the results of what is beneath.

The G-G Section is an unfolded section which cuts through all of the memorial spaces in order to show the gradual pathway of the memorial.

The -4 Meters Floor Plan is the one where the actual memorial begins. Starting from the Black Cell (one of the most terrifying punishment cells from Romania’s detention system), the visitor goes outside in an contradictorial space filled with natural light. This symbolizes hope. After that, a staircase drives the visitor to a lower space called The Chapel – meant for contemplating at the temporary nature of the humankind who is always watched by a higher entity. This symbol is materialized in the circular skylight in the ceiling.

The C-C Section is a cross section through the Chapel and the Remembrance Room. One can see the skylight from the chapel and the fact that the pathway goes even lower to the remembrance room – a wide space with a low ceiling at the height of 2 meters.

The -7 Meters Floor Plan comprises the Chapel and the Passage which is the next step of the memorial. The Passage space has oblique walls that create a feeling of heaviness thrown at the visitor – this is meant to cast a glimpse on how the inmates were feeling in the tiny enclosed cells. In this plan is also visible the basement level of the educational center with the stage of the amphitheater, the green room, the lockers and the toilets.

The D-D Section is cutting through the Archive which is the connection space between the two sites. The Archive serves the memorial as well the education center and it contains memories of the indirect victims of the communist regime. One is invited to stay and contemplate on them and maybe to contribute with his own. After the darkness of the memorial spaces, the visitor can go outside through the Archive and there will meet the natural environment of the abstract forest.

The -8 Meters Floor Plan is at the level of the Remembrance Room and the Archive. Once arrived in the Remembrance Room, one will have the opportunity to go in three different directions:
1 – To the fountain on the right. This fountain will flood the space on very rainy days, as a gesture of washing the sins and reconciliation.
2 – The stair in the middle will take the visitor out.
3 – The left stair will get him to the Empty Grave.

The F-F Section cuts through the first and the last space of the memorial and shows the big dept of the Empty Grave which is 15 meters high and the fact that the pathway of the memorial is in continuous decrease.

The Empty Grave is the most important space of the project because it is a symbol reminding of the communal graves into which the death victims were buried. Emphasizing the presence of the absence, this space is more than just a hole – it has multiple meanings regarding themes like death, the gate to the other world, divinity, human condition – and it is created to make the visitor acknowledge the feelings of the innocent victims.

The E-E Section cuts through the Passage that connects the East wing with the West one. The Passage architecture contains ceiling with a variable height. More, the sections shows the watchtower from where the visitors can see the cemetery of the city where the communal graves where located.